Film directed by Harun Farocki in 2000 composed of images from prisons. Quotes from fiction films and documentaries as well as footage from surveillance cameras. A look at the new control technologies, at personal identification devices, electronic ankle bracelets, electronic tracking devices.
Prison Images offers a look at the new control technologies, at personal identification devices, electronic ankle bracelets and other tracking devices. Cinema has always been attracted to prisons and today’s prisons are full of video surveillance cameras. These images are unedited and monotonous; as neither time nor space is compressed, they are particularly well-suited to conveying the state of inactivity into which prisoners are placed as a punitive measure. What kinds of images have been produced by the surveillance cameras and training videos for prison personnel? In Farocki’s film, the penal institution becomes an anthropological laboratory, in which life and death are rehearsed in front of the camera’s unblinking eye.